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Joseph Haydn - The Seven Last Words Of Our Saviour On The Cross album

Joseph Haydn - The Seven Last Words Of Our Saviour On The Cross album
Performer: Joseph Haydn
Genre: Classical
Title: The Seven Last Words Of Our Saviour On The Cross
FLAC album size: 1466
Style: Classical
Released: 2002

The Seven Last Words of Our Saviour On the Cross (German: Die sieben letzten Worte unseres Erlösers am Kreuze) is an orchestral work by Joseph Haydn.

Haydn: The Seven Last Words of our Saviour on the Cross, Op. 51 (Ho. II. 50-56) - 2. Sonata I (Largo) - Riccardo Muti, Berlin Philharmonic. Открывайте новую музыку каждый день

Слушайте Haydn: The Seven Last Words of our Saviour of the Cross от Klenke Quartett на Deezer. Благодаря потоковой трансляции музыки на Deezer вы можете слушать более 53 млн треков, создавать свои плейлисты и делиться любимыми песнями с друзьями.

1795 - 1801 Вернулся и поселился в Вене в 1795 году. Среди прочего, в Вене написал две свои знаменитые оратории: Сотворение мира (1798) и Времена года (1801).

1806 Умер в возрасте 77 лет 31 мая 1809 года.

Album · 1992 · 9 Songs.

Songs from Haydn: The Seven Last Words of Our Saviour on the Cross by Callino Quartet, Йозеф Гайдн. Free download and listen Haydn: The Seven Last Words of Our Saviour on the Cross.

The Seven Last Words of Our Saviour on the Cross (German: Die sieben letzten Worte unseres Erlösers am Kreuze) is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva (Holy Cave Oratory) in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet and in 1796 as an oratorio (with both solo and choral vocal forces), and he approved a version for solo piano.

The transcription for keyboard was made at the behest of Haydn's publisher and received his approval, though it has been the least performed of the versions and the least recorded.

This album has an average beat per minute of BPM (slowest/fastest tempos:, BPM). See its BPM profile at the bottom of the page. Tracklist The Seven Last Words of Our Saviour on the Cross Op. 51b, Hob XXIB (The Shostakovich Quartet). BPM Profile The Seven Last Words of Our Saviour on the Cross Op. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Joseph Haydn. Sun" Quartets, op. 20 nos.

Haydn: The 7 Last Words of Christ, Ho. X:1 (Arr. for Chamber Ensemble) & Ho. X:2 (Arr. for Voices). イドン:交響曲集 Vol. 7 第 37番、第 78番、第 16番、第 100番「軍隊」. More Franz Joseph Haydn. Listen to Haydn: The Seven Last Words of our Saviour of the Cross now. Listen to Haydn: The Seven Last Words of our Saviour of the Cross in full in the this site app. Play on this site.

Tracklist

The Seven Last Words Of Our Saviour On The Cross 60:26
1 Introduction 4:34
2 Sonata I. "Father Forgive Them; For They Know Not What They Do" 5:18
3 Sonata II. "Amen, I Say To You: Today You Will Be With Me In Paradise" 9:02
4 Sonata III. "Woman, Behold Your Son: And You Behold Thy Mother" 9:01
5 Sonata IV. God, God, Why Have You Forsaken Me?" 6:49
6 Sonata V. "I Thirst" 8:47
7 Sonata VI. "It Is Finished" 7:36
8 Sonata VII. "Father, Into Thy Hands I Commit My Spirit" 7:16
9 Earthquake 1:58

Credits

  • Cello – Alexander Groshenkov, Nikita Kotcherguine (tracks: Nikita Kotchergin)
  • Composed By – Franz Joseph Haydn*
  • Design [Cover & Booklet] – Andrey Logvin
  • Double Bass – Igor Solokhin*
  • Executive Producer – Nick Dmitriev
  • Performer – Opus Posth Ensemble*
  • Recorded By, Mixed By, Mastered By, Producer [Sound Conception] – Maria Soboleva*
  • Violin – Elena Poluyanchenko*, Konstantin Komissarov, Natalia Panasiouk (tracks: Natalia Panasyuk), Vladimir Metelyov*, Natalia Kosareva*
  • Violin, Producer [Sound Conception] – Tatiana Grindenko

Notes

Recorded at MOSFILM Studios in June 2002

The great classical work of the great classical composer performed by ensemble OPUS POSTH lead by Tatiana Grindenko breaking down the academic stereotypes and giving the new birth of the old piece. The interpretation makes this piece of Joseph Haydn actual.
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