The Cast Of Cheers - Family album
The Cast of Cheers debut single "Family" released on 20th February 2012 on School Boy Error/Cooperative Music.
Family doesn’t simply borrow from its makers’ math-rock forerunners; it robs them blind, delivering songs that are more Foals-ian than the Oxford five-piece themselves. Which doesn’t make it a terrible album, of course. This is polished, well-constructed fare from the opening title track onwards, buffed to a satisfyingly high shine by former Clor member Luke Smith. Who also, as it happens, produced Foals’ Total Life Forever. So overwhelming are the similarities between The Cast of Cheers and the act(s – after all, it’s not like Foals pioneered this brand of intricate, prickly and propulsive guitar music) that they’re echoing that the details of this set can get lost in the cavalcade of carbon-copied constituents.
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Tthe Cast Of Cheers – 'Family'. Ted Danson, Kirstie Alley and Kelsey Grammer return with a new album. What’s that? Oh sorry, this isn't actually pub rock from a bar in Boston where everybody knows your name. It’s zesty, youthful indie-pop from Dublin. And it’s a good debut, if at times barely discernible from Two Door Cinema Club and Foals – acts who, like TCOCF, received early exposure on the Kitsuné label
The Cast Of Cheers might just be the perfect band for 2012. A smattering of Everything Everything and hints of BBC, The Maccabees and Two Door Cinema Club sit alongside each other in this Dublin quartet’s DNA. But let’s get one thing straight: The Libs/Strokes/White Stripes they are not. This is drivetime indie, tailor-made to assuredly build its way to the top of a festival slot via good old-fashioned hard work, ‘radio support’ and a few thousand canny TV placements.
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The Cast of Cheers via The Hit Machine Drummers. 3 May 2014 ·. Take a look at what our drummer Kev Curran has been up to lately.
For The Cast of Cheers, the importance of this album cannot be understated. It’s the album on which they start really taking this whole ‘band’ thing seriously – they weren’t expecting the avalanche of word-of-mouth success that ‘Chariot’ brought them two years ago, but then again, neither was I, or anyone else for that matter. Also on this album is the audible sense that whether or not ‘Chariot’ happened, ‘Family’ would have come along anyway. It’s the sound of a band starting again, going right back to the drawing board and bettering what had gone before.
70. The skittering, tightly wound sound the band achieves here bears echoes of Vampire Weekend's arch global groove, Peter Bjorn and John's perky indie pop, and the complex art pop textures of Field Music, without ever feeling derivative of any of the aforementioned artists.
- Phonographic Copyright (p) – School Boy Error
- Copyright (c) – School Boy Error
- Licensed To – Cooperative Music
NotesStickered company card sleeve.
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