Excrement - Flesh & Blood album

Listen free to Excrement – Flesh & Blood (Intro, Corpse Fucking Art and more). 5 tracks (). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

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Band Name Excrement (FIN). Album Name Flesh and Blood. Labels Self-Released. Music StyleDeath Metal. Members owning this album0. 1) Intro/Corpse Fucking Art . 8. 3) Dreaming Of the Dead . 0. 4) Covered in Feces . 3.

Flesh and Blood is the latest collection of hard rock tunes from Coverdale’s clan, who first hit the scene with Snakebite all the way back in 1978. There’s a retro vibe that reaches back to the day when guys spent more time on their hair than the girls did. Flesh and Blood Album Artwork. Props to Beach and Hoekstra, because they sound really solid here. If we’re being completely honest, Coverdale’s voice perhaps not quite as much.

All music by Excrement. Professionally printed color demo cover with white tapes.

Flesh & Blood is the thirteenth studio album by British hard rock band Whitesnake, released on 10 May 2019 through Frontiers Records. A music video was released for the lead single "Shut Up & Kiss Me". The band will embark on a world tour in support of the album. Coverdale said that the band "put everything we had and more into making this album". Guitarist Joel Hoekstra, who joined the band in 2015, co-wrote six of the album's tracks with frontman David Coverdale

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DMX - Flesh of My Flesh, Blood of My Blood (1998).

Flesh of My Flesh, Blood of My Blood. Flesh of My Flesh, Blood of My Blood is the second studio album by American rapper DMX. The album was released on December 22, 1998, a little more than seven months after his debut album It's Dark and Hell Is Hot. It entered the charts at (and stayed there for 3 consecutive weeks) with over 670,000 units shipped in the first week.

An even slicker record than Manifesto, Flesh + Blood precariously balances between alluringly seductive, sophisticated soul-pop and cloying, radio-ready disco-pop. At its best, the album is effortlessly suave and charming - "Over You" is one of their greatest singles, and "Oh Yeah" is nearly as persuasive - but much of the record is devoted to ill-formed, stylish lounge-pop. In particular, the reliance on reworked covers of "In the Midnight Hour" and "Eight Miles High" is distressing, not only because it signals a lack of imagination, but also because.