D'Angelo And The Vanguard - Black Messiah album

After 15 years of studio album silence, D'Angelo returns with a fantastic comeback record.

D?Angelo and The Vanguard. D'Angelo and The Vanguard.

Black Messiah - D'Angelo, The Vanguard. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией.

Альбом · 2014 · Песен: 12. Доступно с подпиской на Apple Music. Бесплатная пробная подписка.

It was released on December 15, 2014, by RCA Records, bringing an end to his 14-year hiatus that followed his 2000 album Voodoo. The album was produced and mostly written by D'Angelo, who collaborated with musicians such as percussionist Questlove, bassist Pino Palladino, guitarist Isaiah Sharkey, and horn player Roy Hargrove.

D’Angelo and the Vanguard. Released December 15, 2014. Black Messiah Tracklist. 1. Ain't That Easy Lyrics. Black Messiah is a studio album by D'Angelo and the Vanguard, released on December 15, 2014 through RCA Records. The project serves as D'Angelo’s third studio LP, and his first since taking a near-fifteen year hiatus due to his sex symbol status eclipsing his credibility as a talented musician. The album was met with critical acclaim, earning a Metascore of 95/100. Purchase a digital copy here Purchase a hard copy here. Black Messiah Q&A.

With the shock release of Black Messiah, soul singer and t D'Angelo returns with his first album of new material in 14 years. With the shock release of Black Messiah, soul singer and t D'Angelo returns with his first album of new material in 14 years.

A great album, but a few tracks seem a little over-produced, like there is just a little too much going on in the background, and it takes away from the amazing vocals. Voodoo is still his best album, but it's nice just to have a new D'Angelo album after all these years. Ответить Уведомить меня Helpful.

D'Angelo and the Vanguard, D'Angelo. Black Messiah clashes with mainstream R&B trends as much as Voodoo did in 2000. Unsurprisingly, the artist's label picked this album's tamest, most traditional segment - the acoustic ballad "Really Love" - as the first song serviced to commercial radio. It's the one closest to "Untitled (How Does It Feel)," the Voodoo cut that, due to its revealing video, made D'Angelo feel as if his image was getting across more than his music

With D’Angelo’s 14-year silence suddenly broken over Christmas, it’s almost a surprise to find the reclusive R&B enigma’s style so unchanged. Notwithstanding the occasional foray into jazz and blues, Black Messiah is much the same blend of miasmic boudoir soul, bare-bones funk and liberation songs that characterised his 2000 milestone, Voodoo. The opener, Ain’t That Easy, serves notice of what’s to follow, lurching in like an errant, strutting Sly Stone groove, built on the febrile flexibility of real analogue funk bass and drums, with D’Angelo’s layered falsetto sounding like a phalanx of Al Greens on their knees.