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Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki - Cantatas 51: ►120a ►157 ►192 ►195 (Nun Danket Alle Gott) album

Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki - Cantatas 51: ►120a ►157 ►192 ►195 (Nun Danket Alle Gott) album
Genre: Classical
Title: Cantatas 51: ►120a ►157 ►192 ►195 (Nun Danket Alle Gott)
FLAC album size: 1139
Style: Baroque
Released: 2012

От 500 000 руб. пост. Более 300 постов под ключ. Бонус – моб. приложение!

Orchestra, Choir – Bach Collegium Japan. Photography By – Nancy Horowitz. Cantatas from Leipzig 1727-232. Equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones Original format: 4. kHz, 24-bit.

Bach Collegium Japan and Masaaki Suzuki return to their cantatas cycle with four cantatas composed for specific events. These sacred occasional pieces are independent works and did not form part of his cantata cycles for the Sundays and feast days of the church year. Bach Collegium Japan's deservedly acclaimed project to record all of Bach's cantatas has reached volume 51, which turns out to be an especially vibrant and generously filled collection of sacred occasional works. This has been reconstructed from the more commonly heard BWV 120, "Gott, man lobet dich in der Stille", for which Bach recycled several movements from the slightly earlier 120a - and indeed the two works make a fascinating comparison for listeners who have a recording of the former or are prepared to seek one out (the one I know is directed by Herreweghe

Nun danket alle Gott (Now thank ye all our God), BWV 192, is a church cantata for Trinity Sunday composed by Johann Sebastian Bach in Leipzig in 1730. It is an incomplete cantata, because its tenor part is missing. It is a chorale cantata, setting the unmodified three stanzas of Martin Rinckart's "Nun danket alle Gott" ("Now Thank We All Our God"). It has been regarded as an expansion of Bach's chorale cantata cycle.

Japanese ce specialist Masaaki Suzuki reaches the 40th volume of his complete traversal of Bach's cantatas with this disc. The series has attained an impressive level of technical consistency, and technical ensemble precision is what Suzuki's style is all about. Start with the German pronunciation of his Bach Collegium Japan, which has been tested on native Germans and found flawless

Johann Sebastian Bach; Roderick Williams; Bach Collegium Japan; Masaaki Suzuki. 3. No. Schleuß des Janustempels Türen Johann Sebastian Bach; Roderick Williams; Bach Collegium Japan; Masaaki Suzuki. 4. So recht, beglückter Weichselstrom! Johann Sebastian Bach; Charles Daniels; Bach Collegium Japan; Masaaki Suzuki. Award-winning conductor Masaaki Suzuki returns with his renowned ensemble Bach Collegium Japan in this recording of two secular cantatas by . Bach: Schleicht, spielende Wellen, BWV 206 and Preise dein Glücke, gesegnetes Sachsen, BWV 215. Considered to be world-leading interpreters of Bach’s music on period instruments, . Bach: Celebratory Cantatas is a welcome addition to Bach Collegium Japan’s extensive survey of the composer's secular and church cantatas. 96 kHz, 24-bit PCM – BIS Studio Masters.

Johann Sebastian Bach. Cantatas, Volume 51: Nun danket alle Gott. Cantatas 120a, 157, 192, 195. Nun danket alle Gott, BWV 192: I. Chorus "Nun danket alle Gott". Chorus "Nun danket alle Gott" Johann Sebastian Bach. Unknown Submit Tempo. Bach Piano Transcriptions 9: A Bach Book for Harriet Cohen. Cello Suite No. 1 in G Major, BWV 1007: I. Prelude. 6 Cello Suites, Michael Kevin Jones, 1667 Stradivarius cello.

Bach Collegium Japan, Masaaki Suzuki. contrives a ravishing foil to all the nuptial exuberance . Bach Collegium Japan and Masaaki Suzuki return to their cantatas cycle with four cantatas composed for specific events. Two of cantatas (BWV 195 and BWV 120a) were intended for wedding ceremonies, and one for a funeral (Ich lasse dich nich. WV 157), but the setting for the fourth piece, Nun danket alle Gott, BWV 192, is unknown

Album · 2006 · 18 Songs. By Anonymous, Johann Sebastian Bach & Johann Gramann. 2. Jauchzet Gott In Allen Landen!, BWV 51: Recitative: Wir Beten Zu Dem Tempel an (Soprano). Jauchzet Gott In Allen Landen!, BWV 51: Aria: Hochster, Mache Deine Gute (Soprano).

COMPOSER: Johann Sebastian Bach. SINGER: Carolyn Sampson. ENSEMBLE: Bach Collegium Japan. CONDUCTOR: Masaaki Suzuki. Added Once this week. More from this artist. Johann Sebastian Bach.

Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki. Bach: Secular Cantatas, Vol. 9 – The Contest Between Phoebus and Pan. Bach Collegium Japan, Masaaki Suzuki.

Tracklist

Dem Gerechten Muss Das Licht Immer Wieder Aufgehen, BWV 195 - Kantate Zur Trauung (1748/49, Frühfassung c. 1742, Gleichnamige Trauungskantate c. 1727-32) (18:35)
1 1. [Chorus]. Dem Gerechten Muss Das Licht Immer Wieder Aufgehen … 4:37
2 2. Recitativo (Basso). Dem Freudenlicht Gerechter Frommen … 1:07
3 3. Aria (Basso). Rühmet Gottes Güt Und Treu … 4:50
4 4. Recitativo (Soprano). Wohlan, So Knüpfet Denn Ein Band … 1:08
5 5. Chorus. Wir Kommen, Deine Heiligkeit … 6:05
6 Post Copulationem - After The Wedding: 6. Choral. Nun Danket All Und Bringet Ehr … 0:43
Nun Danket Alle Gott, BWV 192 - Kantate, Bestimmung Unbekannt (1730-31?) (10:49)
7 1. Chorus. Nun Danket Alle Gott … 4:53
8 2. [Duetto] (Soprano, Basso). Der Ewig Reiche Gott … 2:56
9 3. [Chorus]. Lob, Ehr Und Preis Sei Gott … 2:57
Ich Lasse Dich Nicht, Du Segnest Mich Denn, BWV 157 - Kantate Für Eine Trauerfeier (6. Februar 1727) Bzw. Zum Fest Mariae Reinigung (19:29)
10 1. Duetto (Tenore, Basso). Ich Lasse Dich Nicht, Du Segnest Mich Denn! 4:48
11 2. Aria (Tenore). Ich Halte Meinen Jesum Fest … 6:44
12 3. Recitativo (Tenore). Mein Lieber Jesu Du … 1:20
13 4. Aria [E Recitativo E Arioso] (Basso). Ja, Ja, Ich Halte Jesum Fest … 5:48
14 5. Choral. Meinen Jesum Lass Ich Nicht … 0:46
Herr Gott, Beherrscher Aller Dinge, BWV 120a - Kantate Zur Trauung (c. 1729) (30:09)
15 Prima Parte: 1. [Chorus]. Herr Gott, Beherrscher Aller Dinge … 6:18
16 Prima Parte: 2. Recitativo [E Chorus] (Basso, Tenore). Wie Wunderbar, O Gott … 2:56
17 Prima Parte: 3. Aria (Soprano). Leit, O Gott, Durch Deine Liebe … 6:08
18 Secunda Parte (Post Copulationem) 4. Sinfonia 3:33
19 Secunda Parte (Post Copulationem) 5. Recitativo [E Chorus] (Tenore). Herr Zebaoth … 1:20
20 Secunda Parte (Post Copulationem) 6. Aria (Duetto) (Alto, Tenore). Herr, Fange An Und Sprich Den Segen … 7:03
21 Secunda Parte (Post Copulationem) 7. Recitativo (Basso). Der Herr, Herr Unser Gott, Sei So Mit Euch … 1:25
22 Secunda Parte (Post Copulationem) 8. Choral. Lobe Den Herren, Der Deinen Stand Sichtbar Gesegnet … 1:18

Companies, etc.

  • Phonographic Copyright (p) – BIS Records AB
  • Copyright (c) – BIS Records AB
  • Copyright (c) – Masaaki Suzuki
  • Copyright (c) – Klaus Hofmann
  • Copyright (c) – Marco Borggreve
  • Copyright (c) – Ludék Sojka
  • Recorded At – Kobe Shoin Women's University, Japan

Credits

  • Alto Vocals [Choir] – Chiharu Takahashi, Damien Guillon, Sumihito Uesugi, Tamaki Suzuki
  • Bass Vocals [Choir] – Chiyuki Urano, Peter Kooij, Toru Kaku, Yusuke Watanabe
  • Bass Vocals [Soloist] – Peter Kooij
  • Bassoon [Continuo] – Yukiko Murakami
  • Composed By – Johann Sebastian Bach
  • Countertenor Vocals [Soloist] – Damien Guillon
  • Directed By, Liner Notes – Masaaki Suzuki
  • Edited By – Nora Brandenburg
  • Engineer – Marion Schwebel
  • Executive-Producer – Robert von Bahr
  • Flute [Flauto Traverso I], Soloist – Kiyomi Suga
  • Flute [Flauto Traverso II] – Liliko Maeda
  • Harpsichord [Cembalo, Continuo] – Masato Suzuki
  • Liner Notes – Klaus Hofmann
  • Liner Notes [English Translation - Program Notes], Layout, Typography [Typesetting] – Andrew Barnett
  • Liner Notes [French Translation] – Jean-Pascal Vachon
  • Liner Notes [German Translation] – Horst A. Scholz
  • Oboe, Oboe d'Amore [I], Soloist – Masamitsu San'nomiya*
  • Oboe, Oboe d'Amore [II] – Atsuko Ozaki
  • Orchestra, Choir – Bach Collegium Japan
  • Organ [Continuo] – Naoko Imai
  • Photography By [Christoph Genz] – Nancy Horowitz
  • Photography By [Hana Blažíková] – Ludék Sojka
  • Photography By [Peter Kooij] – Marco Borggreve
  • Producer, Mixed By – Ingo Petry
  • Soprano Vocals [Choir] – Eri Sawae, Hana Blažíková, Yoshie Hida
  • Soprano Vocals [Soloist] – Hana Blažíková
  • Technician [Organ Tuner] – Matthieu Garnier (tracks: 18)
  • Technician [Tuner] – Akimi Hayashi
  • Tenor Vocals [Choir] – Christoph Genz, Hiroto Ishikawa , Yosuke Taniguchi, Yusuke Fujii
  • Tenor Vocals [Soloist] – Christoph Genz
  • Timpani – Shoichi Kubo
  • Trumpet [Tromba I], Horn [Corno I] – Jean-François Madeuf
  • Trumpet [Tromba II] – Philippe Genestier
  • Trumpet [Tromba III], Horn [Corno II] – Graham Nicholson
  • Viola – Hiroshi Narita , Mika Akiha
  • Violin [I] – Azumi Takada, Paul Herrera, Yuko Takeshima
  • Violin [I], Leader – Natsumi Wakamatsu
  • Violin [II] – Azumi Takada, Yukie Yamaguchi, Yuko Araki
  • Violin, Viola d'Amore, Soloist – Natsumi Wakamatsu
  • Violoncello [Continuo] – Hidemi Suzuki
  • Violone [Continuo] – Takashi Konno

Notes

Cantatas from Leipzig 1727-232.
℗ & © 2012 BIS Records AB, Akersberga
Recording: June 2011 at Kobe Shoin Women's University Chapel, Japan

Equipment: Neumann microphones; RME Octamic D microphone preamplifier and
high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation;
B&W Nautilus 802 loudspeakers; STAX headphones
Original format: 44.1 kHz / 24-bit

Total Time: 80'18

36-page digital booklet with notes in English, German and French, including the original sung text and the English translation.
Originally released on SACD in August 2012.
Photo Damien Guillon DR

Barcode and Other Identifiers

  • Barcode: 7318599919614

Other versions

Category Artist Title (Format) Label Category Country Year
BIS-SACD-1961 Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki - Cantatas 51: ►120a ►157 ►192 ►195 (Nun Danket Alle Gott) ‎(22xFile, FLAC, Album, RE) BIS BIS-SACD-1961 Unknown
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