Bob Dylan - Bringing It All Back Home album

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Music video by Bob Dylan performing the story of the "Bringing It All Back It All Back Home" album cover.

Live Dylan performances from songs on 1965 LP. 'Bringing It All Back Home".

Tracklist: 1. Subterranean Homesick Blues, 2. She Belongs To Me, 3. Maggie’s Farm, 4. Love Minus Zero, No Limit, 5. Outlaw Blues, 6. On The Road Again, 7. Bob Dylan’s 115th Dream, 8. Mr. Tambourine Man, 9. Gates Of Eden, 10. It’s Alright, Ma (I’m Only Bleeding), 11. It’s All Over Now, Baby Blue.

This 1965 Bob Dylan classic isn’t just special for it’s sound and lyrics the critics and his fans love but also for it’s tremendous influentiality it holds. In ‘Bring it All Back Home’ for the first time ever and although this might not sound like a big deal it actually is, as it is widely recognised as the birth of folk rock. And if the birth of a new genre isn’t enough to convince you of this album’s greatness then its influence on pop and rock music scene will

Subterranean Homesick Blues" is a song by Bob Dylan, recorded on January 14, 1965, and released as a single by Columbia Records, catalogue number 43242, on March 8. It was the lead track on the album Bringing It All Back Home, released some two weeks later. It was Dylan's first Top 40 hit in the United States, peaking at number 39 on the Billboard Hot 100. It also entered the Top 10 of the UK Singles Chart.

i look around an' all these people he's talking to are carrying blowtorches/ needless t' say, i split fast go back t' the nice quiet country. an' so i answer my recording engineer "yes. well i could use some help in getting this wall in the plane".

Perhaps the most lyrically potent album ever, Bob Dylan delivered a masterpiece with his fifth overall album, Bringing It All Back Home, released 50 years ago today on March 22, 1965. On this record, Dylan’s lyrics became more stylistic and surreal, with the composer employing ess rants influenced by dreams and the result of isolated and intense writing binges. Most impressively, the words are striking and profound and persist in their relevance a half century later, as it personifies the absolute reach for the ultimate heights even if it risks an ultimate fall.

Bob Dylan, the antiwar, civil-rights, Woody Guthrie-imitating darling of the folksingers, the Voice and Conscience of his Generation, after penning "Blowin in the Wind", and "The Masters of War", stunned his purist followers with "Bringing it All Back Home". Electric instruments and a turn from trying to change the world by preaching at it to a bemused surreal satire. This is the best I've ever heard Bringing It All Back Home and I have the original stereo version on vinyl. I thought the stereo version sounds great and the mono version still blew me away. This is how the album was intended to sound!

Dylan now had the world (disgruntled "folkies" apart) at his feet, and the follow up album, "Highway 61 Revisited" was perhaps even better, but it didn"t mark the landmark change. Unlike many of his contempories Dylan didn"t die, or retire, but continued. All but his staunchest fans would admit that the first six albums were what made him great, later productions having flashes of genius but not the stunning whole.